THE REVIEWS
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WARWICK ACOUSTICS BRAVURA AND SONOMA M1 - REVIEW
The Warwick Acoustic Bravura & Sonoma M1 represent the classic and well sought after electrostatic sound, like the transducers—Quad ESL 57, Martin Logan CLS—that began this rather exceptional modality!
TRILOGY H1 ENERGIZER - REVIEW
The Trilogy H1 energizer is the child of electrostatics and single-ended triodes and it is sublime in the extreme. Did I mention the Trilogy H1’s blazing, transient speed, its openness, its hypnotic immersiveness, and delicious tonality? “Yes.” Well, okay.
AURORA HEADA HPA - REVIEW
The Aurorasound HEADA headphone amplifier is musical from ‘Square One’, ‘Jump Street’, ‘Scratch’, or, practically, as soon as you turn it on, though it gets worlds better thereafter. It is a beautifully, carefully designed endgame component to pass down. Or perhaps to take to the other side. Solid state dynamics, resolution, detail retrieval, and spaciousness married to tube liquidity…
GESHELLI LABS E2/J2 - REVIEW
Disinterested in ostentation, Geshelli Labs believes in real world pricing with high fidelity performance. Their JNOG2 plus ERISH2 are a petite and potent bargain. With just enough character to put flesh on bone, the classy little twosome sets your music free without excessive color or dispensable features.
HEADAMP GS-X MINI - REVIEW
The HeadAmp GS-X Mini offers up prodigious detail, and resolves beautifully with a richness and natural warmth that are both beguiling and compelling. It has one of the best dynamic ranges that I’ve come across at its price point. And, as I stated above, though there are better headphone amps, they come at multiples of its price.
BURSON AUDIO PLAYMATE 2 - REVIEW
The Playmate 2 is an unassuming desktop digital–to–analog converter (DAC) plus unbalanced headphone amp (HPA) from Aussie operational amplifier specialists Burson Audio.
BLUE HAWAII SPECIAL EDITION - REVIEW
The first thing one notices about the Blue Hawaii SE is its naturalness, its ease, and its gravitas—or its ability to put flesh on the bones of real performers/performances across the frequency spectrum—its palpability. There is no thinness, nor ghost-like apparitions wafting about the stage with hollow voices. There is instead the solidity of female and male vocalists, a strummed viola-de-gamba, a plucked upright bass, a raging Steinway, etc.